Joni Mitchell (@jonimitchell) 's Twitter Profile
Joni Mitchell

@jonimitchell

The official Twitter of Joni Mitchell

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linkhttps://linktr.ee/jonimitchell calendar_today13-05-2009 01:16:19

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Listen to Joni’s “Intro To Coyote / Coyote," from her time on Bob Dylan's Rolling Thunder Revue at The Forum, Montreal, QC, Canada, Dec. 4, 1975, featured on the forthcoming Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980): JM.lnk.to/CoyoteLive

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Joni in her Laurel Canyon home, where she lived with Graham Nash, in August 1968. This very home later inspired Nash’s 1970 song “Our House,” which fondly recounts Joni’s discovery of a vase at a local antique shop. Photo by Baron Wolman

Joni in her Laurel Canyon home, where she lived with Graham Nash, in August 1968. This very home later inspired Nash’s 1970 song “Our House,” which fondly recounts Joni’s discovery of a vase at a local antique shop.

Photo by Baron Wolman
Joni Mitchell (@jonimitchell) 's Twitter Profile Photo

Both introspective and free, Joni Mitchell's 'The Hissing of Summer Lawns' branched away from her previous albums and marked an evolution in her sound.☀️🐍 Available now on AAA 2LPx45 Green vinyl at VMP.

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On August 17, 1979, Joni filmed “Play Little David” for the TV Series Mon Pays, Mes Chansons. Each program from the series originated from a different place, and featured musical numbers appropriate to the scenic location in which they were set. Revisit “Play Little David” and

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“This is a song for my man and a song for the moon,” - Joni as she introduces “Willy” on the Dick Cavett Show 55 years ago today. A heartfelt tribute to Graham Nash, whose middle name inspired this beautiful tune.

Joni Mitchell (@jonimitchell) 's Twitter Profile Photo

A year ago today, Joni made a surprise appearance at Wayne Shorter tribute at the Hollywood Bowl, delivering a moving rendition of “The Circle Game” alongside Herbie Hancock and Lionel Loueke.

Joni Mitchell (@jonimitchell) 's Twitter Profile Photo

“The five-song run that followed—A Case of You, California, Hunter, Big Yellow Taxi, and Both Sides Now—was nothing short of electrifying, a transformative experience…” — Laura Barton, ‘The Guardian,’ on Joni Mitchell’s iconic Isle of Wight Festival performance, August 1970.

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Happy heavenly birthday to one of Joni’s cherished friends and collaborators, Wayne Shorter. Today, we remember his extraordinary legacy, echoing Joni’s heartfelt words from her Library of Congress conversation last year: “He was a goat.”

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Just dreams and false alarms. Relive Joni’s performance of “Amelia” from 1979 and pre-order THE ASYLUM ALBUMS, Vol. 4 (1979-1980), featuring multiple renditions of the song here: jm.lnk.to/JMAVol4

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“I have a portrait that I did, a painting where I’m leaning over his shoulder, and he’s got . . . it’s almost like a smirk on his face. And I love that look on him. I liked him instantly. I knew he wasn’t going to go light on you, but I felt like I was up for it, you know.” -

“I have a portrait that I did, a painting where I’m leaning over his shoulder, and he’s got . . . it’s almost like a smirk on his face. And I love that look on him. I liked him instantly. I knew he wasn’t going to go light on you, but I felt like I was up for it, you know.” -
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“It was a magical moment, indeed.” — BAM on Joni’s performance alongside Herbie Hancock at the Bread & Roses Festival of Music, September 2, 1978. Photos by Jon Sievert and Richard Mccaffrey

“It was a magical moment, indeed.” — BAM on Joni’s performance alongside Herbie Hancock at the Bread & Roses Festival of Music, September 2, 1978.

Photos by Jon Sievert and Richard Mccaffrey
Joni Mitchell (@jonimitchell) 's Twitter Profile Photo

In September 1970, Joni graced the stage for BBC's ‘In Concert,’ mesmerizing audiences with her remarkable talent across 12 songs on guitar, piano, and dulcimer.